Tag Archives: festival

New Website Coming this Fall | Idén ősszel új weboldal

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Dear All, I am at the beginning of a long but fulfilling process of presenting you a new, fresh and more user friendly website. I hope that, as planned, you will be able to enjoy it by the end of September. New format, new pictures, new videos, renewed blog (most likely a vlog) and so much more will be coming. Until the launch of my renewed webpage, please follow my activity on Facebook, Instagram and Twitter!
Have a wonderful rest of your summer and see you soon!

Kedves Mindenki!
Belekezdtem a nehéz, de szép végeredménnyel kecsegtető weboldal frissítési folyamatba. Új képek, videók, a blog helyett valószínűleg egy vlog, és sokminden más alakul a boszorkánykonyhában. Amíg itt szünet van, addig a Facebookon, Twitteren és az Instagramon lehet követni, hogy mit történik velem. Reményeim és terveim szerint szeptember végén már elérhető lesz az új oldal.
Addig is kívánok mindenkinek további kellemes nyarat, és hamarosan találkozunk.

Festivals, Ensembles | Fesztiválok, együttesek

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The conducting-composition masterclass called ‘Spotlight on Georges Aperghis’ has ended a few days ago. Aperghis, the world famous Greek-French composer himself was here and has been teaching alongside Peter Eötvös and myself. With the musicians of the Danubia Symphony, with two wonderful vocal soloists and with the principal bass of the Berlin Philharmonic we have presented an amazing concert conducted by our students. You can read more details about the program here:
https://lisztunnep.hu
As you can see, there is a new festival now in Budapest, Hungary called ‘Liszt Fest’ (the famous pianist and composer of the Romantic era was born in October). I am happy to report that not only ‘Spotlight on Georges Aperghis’ but also the world-premiere staging of my mono-concert-opera ‘Transporters’ has been chosen to be part of the first edition of this festival. UMZE Ensemble is playing! I am and will be posting many details on the production on Facebook and Instagram. You can follow this adventure there. Here is the link to the Liszt Fest page of the production for a starter:
https://lisztunnep.hu
I am also very happy to conduct – now for the second time – ‘Into the Little Hill’ by the British composer giant, George Benjamin for this show.
I am stepping in last minute to conduct Riot Ensemble from the UK. There will be two concerts in Austria, one in Salzburg on October 29 at ‘Crossroads Festival’, and another in Graz on October 30 at ‘Open Music Graz’. On the program: a piece by Brian Ferneyhough and four student composers. After just a few days of rest I will be on my way to Poitiers, France. As a continuation of my Artist in Residence program I will be conducting a concert with instrumental ensemble Ars Nova and a chamber choir in Poitiers, France. This will be an Arvo Pärt show with some Stravinsky and Charles Ives in it. Details here:
https://ars-nova.fr
Apropos Ars Nova, our “L’analphabete” video-concert will be aired again on October 21. (Yes, same day as the premiere of ‘Transporters…)
You can access it here:
https://ars-nova.fr/projets/analphabete

Néhány napja fejeztük be ‘Fókuszban Georges Aperghis’ programunkat az Eötvös Péter Kortárs Zenei Alapítvány szervezésében. A görög-francia zeneszerző mester maga is csatlakozott hozzánk, és a Berlini Filharmonikus szólóbőgőse, vokál-szólisták és a Danubia Zenekar muzsikusival együtt fantasztikus koncertet adtunk a BMC-ben. Vezényeltek a kurzus résztvevői, közöttük mentorát karmestereink is. Részletek itt:
https://lisztunnep.hu
Nagy örömömre nem csak az Aperghis-program, de az Esterházy Péter kisregénye alapján készült mono-koncert-operám színpadi ősbemutatója is helyet kapott az idén először megrendezésre kerülő Liszt Ünnep fesztiválon. Horváth Csaba rendezésében kerül a MÜPA Fesztiválszínház színpadára a darab, együtt George Benjamin ‘Into the Little Hill’ című kamaraoperájával, amelyet, nagy örömömre, immár másodszor vezényelhetek, most is az UMZE Együttes élén. A Liszt Ünnep blogján itt olvasható egy kettős interjú Molnár Annával és velem:
https://lisztunnep.blog.hu
Az október 21-i előadásra jegyek, korlátozott számban, még kaphatók.
Véletlen egybeesés, hogy éppen október 21-én lesz a francia Ars Nova együttessel pár hónapja készített koncertfilmem, ‘Az analfabéta’ ismétlése is. Aki elmulasztotta, itt megtekintheti majd:
https://ars-nova.fr/projets/analphabete
November 8-án lesz egyébként az Ars Novával és kamaraénekesekkel egy Arvo Pärt-et ünneplő koncertem Poitiers-ben, Pärt, Stravinsky és Ives kompozíciókkal. Részletek itt:
https://ars-nova.fr
Mielőtt Franciaország felé venném az utam, elvállaltam egy beugrást a brit Riot Ensemble élén. Október 29-én a salzburgi Crossroads Festival, 30-án pedig Grazban, az Open Music Graz keretében dirigálok egy Ferneyhough darabot, és fiatal zeneszerzők kompozícióit.

September List | Szeptemberi lista

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Sometimes making a list of things you are doing speaks louder than any essay. By the last day of September I will have conducted these pieces for the following projects.
László Sáry: Cantata Dorogiensis de Eucharistia (live performance for distinguished guests of the International Eucharistic Congress in Dorog, Hungary)
Edward Elgar: Cello Concerto, Richard Strauss: Aus Italien (with the Savaria Symphony for their season opening concert in Szombathely, Hungary. Cello soloist: Tamás Varga)
Marcell Dargay: Ricercar, Dániel Dinyés: Capriccio, Matthias Pintscher: Occultation, Balázs Horváth: Quasi ciaccona metrica (at the helm of the UMZE Ensemble for the opening concert of this year’s edition of ‘European Bridges Festival’ of Palace of the Arts, Budapest. Trumpet solos were played by Simon Hoefele from Berlin, and Tamás Pálfalvi. The extremely difficult horn solo for Mr. Pintscher’s composition was played by János Benyus.)
Liszt: Piano Concerto No.1&2 (for the final round and gala of the International Liszt Piano Competition at the Liszt Academy in Budapest. The orchestral accompaniment was played by the Hungarian National Philharmonic, solos were played by Kevin Chen (1st prize), Giovanni Bertolazzi (2nd Prize), and Gergely Kovács (3rd Prize). Both the Finals and the Gala were live broadcast.)
Dvorák: Slavonic Dances Op.46 No.1-3 & 6-8, Dvorák: Serenade for Winds, Josef Suk: Serenade for Strings (for Classical Concert No.1 of the Huntsville Symphony)
Joshua Burel: Blue Means Water, William Price: Divisions, Amir Zaheri: Queer Canticles I-V (for our first Casual Classics called “Who is Afraid of Living Composers?”. Soprano solo: Amalia (Maya) Osuga)

Thankful to be working, thankful to be doing great music with great musicians. More next month, until then check out the info about the two shows with the Huntsville Symphony here:

https://hso.org

Néha egy lista arról, mi mindent csinál az ember többet mond mint egy esszé. Szeptember utolsó napjáig az alábbi darabokat és projekteket vezényeltem, vezényelem.
Sáry László: Cantata Dorogiensis de Eucharistia (az Eucharisztikus Kongresszus VIP vendégeinek élőben Dorogon az UMZE Együttessel)
Edward Elgar: Csellóverseny, Richard Strauss: Aus Italien (Varga Tamás szólójával, a Savaria Szimfonikusok szezonnyitó koncertje)
Dargay Marcell: Ricercar, Dinyés Dániel: Capriccio, Matthias Pintscher: Occultation, Horváth Balázs: Quasi ciaccona metrica (A MÜPA ‘European Bridges’ Fesztiváljának nyitóhangversenye az UMZE élén. Trombita szólisták: Simon Hoefele, Pálfalvi Tamás. Kürtszólista: Benyus János)
Liszt: I. és II. Zongoraverseny (a Nemzetközi Liszt verseny döntője és gálakoncertje a Nemzeti Filharmonikusokkal, szólistaként a győztesek: Kevin Chen (I. díj), Giovanni Bertolazzi (II. díj), és Kovács Gergely (III. díj). Mind a döntő, mind pedig a gála élőben volt közvetítve.)
Dvorák: Szláv táncok op. 46 Nos. 1-3 és 6-8, Dvorák: Fúvósszerenád, Josef Suk: Szerenéd vonósokra (a Huntsville Symphony szezonnyitó koncertje)
Joshua Burel: Blue Means Water, William Price: Divisions, Amir Zaheri: Queer Canticles I-V (a Huntsville Symphony ‘Casual Classics’ sorozata keretében ‘Ki fél az élő zeneszerzőktől?’ címmel a University of Alabama Huntsville koncerttermében. A szoprán szólista: Amalia (Maya) Osuga)

Örömmel dolgozom sokat és muzsikálok remek zenészekkel. Továbbiak októberben. Addig is a Huntsville-i koncertekről információk az alábbi linken:
https://hso.org

Songs for Alabama/ Dalok Alabamához

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The amazing Susanna Phillips
http://www.susannaphillips.com
gave the US premiere of my orchestral song ‘The Cloak, the Boat, and the Shoes’ on Saturday with the Huntsville Symphony. My piece, just like when it was performed for the very first time in Budapest, preceded Richard Strauss’ Four Last Songs. We had a big and responsive audience at the Von Braun Center. In the first half of the concert Principal Bassoonist of the Rochester Philharmonic, Matthew McDonald played Weber’s Bassoon Concerto. Our last classical concert of the season was part of the Alabama Bicentennial Celebration, and we were happy to team up with Susanna and Matthew, co-artistic directors of Twickenham Fest, and musicians extraordinaire.
http://www.twickenhamfest.org

Sunday and Monday were dedicated to auditions. I am happy to report, that we have a new Principal Bassoonist, a new Second Trombone player, and three new violinist colleagues as well. I am looking forward to making music with old and new members of the HSO alike, since the Bicentennial Celebration continues into our next season and includes out first two classical concerts. Check out the fall program, and HSO’s complete 2019-2020 season here:
http://www.hso.org

Soon I will be on my way back to Budapest to start rehearsing for the revival of my Puppet-Opera, The Giant Baby, and also to get ready for two La Bohème performances at the Budapest Opera. Stay tuned for more!

Susanna Phillips, http://www.susannaphillips.com
a Metropolitan Opera sztárja, és a Huntsville közeli Twickenham Fest egyik művészeti vezetője volt az HSO szombati koncertje második felének szólistája. ‘The Cloak, the Boat, and the Shoes’ című zenekari dalom amerikai bemutatója, a pár évvel ezelőtti budapesti ősbemutatóhoz hasonlóan, Richard Strauss Négy utolsó éneke előtt hangzott fel, amelyet aztán Richard Wagner A bolygó hollandi nyitánya követett. A hangverseny első felében a Rochester Filharmonikusok első fagottosa, a Susanna Phillipshez hasonlóan huntsville-i születésű, Matthew McDonald, aki a Twickenham Fest
http://www.twickenhamfest.org
társ-művészeti vezetője is, adta elő Weber Fagottversenyét. A koncert első fele Weber Freischütz nyitányával indult, és a Berlioz által hangszerelt Felhívás keringőre című művével zárult. Nagyszámú és lelkes közönség ünneplésével fejeztük be az évadot, és erre számítunk a következőben is. Az őszi koncertek még a 2019-es Alabama Bicentenáriumi Ünnepségek részét képezik majd, és annak fényében a Hunsvtille Symphony zenészeit, valamint a Huntsville Community Chorus-t és helyi vokális szólistákat állít a programok középpontjába. Részletek az alábbi linken találhatóak
http://www.hso.org

Vasárnap és hétfőn egész nap meghallgatásokat tartottunk. Felvettünk egy új első fagottost, egy második harsonást, és három új kollégát a hegedű szólamba. Hamarosan indulok Budapestre, ahol kezdődnek a próbák Az Óriáscsecsemő című báboperám felújítására, és a Magyar Állami Operaház Bohémélet 2.0 előadásaira is.

Georgia Bottoms in Budapest, Interviews, Reviews, Videos

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A pretty long, exhausting and fun period is over. Georgia Bottoms, A Comic Opera of the Modern South had a new, Hungarian production in the frame of CAFe (Contemporary Art Festival) Budapest at the Liszt Academy. The production was a success, the audience loved it and so far the critics had a positive opinion as well. I am glad, that this 85 minute long, one act chamber opera made quite a few people among Hungarian intellectuals to go online and buy Mark Childress’ original novel, Georgia Bottoms. The book deserves attention, and a great translation for the European and Hungarian market. Luckily, many of the intellectuals interested in my art can speak and read English. They all bought the book here, and you should, too!
http://www.amazon.com

Unfortunately however, – this is what happens when a country has a language that nobody else is speaking,- all the interviews and reviews below are in Hungarian. This time being a Hungarian has an advantage: you get way more info about the opera, the production and you can also read about many other topics that came up in the interviews in the original language. I translated a couple of things below for my English speaking friends, and I can promise you that no music-lover will be left behind. I am in the process of translating a selection of the interviews and posting them online as soon as I can. In the meantime, enjoy what you can by clicking on the links below!

Let’s start with a really well translated interview with Rebecca Nelsen, who has been doing Georgia Bottoms’ role for the second time in two years. I myself have learned a couple of interesting, new things about what it’s like to be a woman in the South.
“The Era of Just Standing And Singing Is Over”
http://www.fidelio.hu

By clicking on the link below you can read the very first (posted just a couple of hours after the Sunday premiere) instant feedback by a local theater/ music-theater blogger. She will be posting more about Georgia Bottoms, once the entire CAFe Budapest Festival is over.
http://www.mezeinezo.hu

Here are three interviews with me, mostly about Georgia Bottoms, but also about teaching, conducting and politics.
“When A Chord Sounds That Can Feel Really Good”
http://www.operavilag.net

“I Want to Write Music I’ve Never Heard Before”
http://www.theater.hu

“Constant Failures Mean The System Is Working”
http://www.papageno.hu

“You Cannot Put 9-11 Into Music” (interview) + “Bittersweet Georgia” (review)
These articles will be available for free soon via the website link below.
According to this review my music is from the Deep South 🙂 The critic loved the humor of the opera in text, in music and in staging as well/ “…a múlt vasárnapi bemutatón átütővé vált a mű humora: szövegben, játékban és – éppen nem mellesleg – zenében egyaránt.”
http://magyarnarancs.hu

“Under Lucky Stars”
This critic loved the production in every way possible, including the staging by Andras Alamai Toth, the singing of the entire cast, especially Rebecca Nelsen and Keith Browning, the quality of the musicians of Ensemble UMZE, and the music itself. The critic had a nice summary of my music as well, Let me copy it here, first just in Hungarian.

“A muzsika majd’ minden hangjából árad az amerikai Dél hangulatát megidéző couleur locale, de hiba lenne, ha csak ennyit jegyeznénk meg az igényes kompozícióról, mely (az utóbbi évek kortársopera-tendenciáival ellentétben) jóval több egyszer használatos alkalmazott zenénél: saját értékénél fogva is emlékezetünkbe vésődik, miközben híven festi a szöveg dramaturgiai fordulatait. A posztmodern jó szokásához híven bőven idéz különböző zenei stílusok eszköztárából, ám ezeket egységes keretbe foglalja – sosem támad az az érzésünk, hogy bármely hang is öncélúan került volna a partitúrába. Ez a határozott zeneszerzői egyéniség biztos ismertetőjegye.”

http://nepszava.hu

The FaceBook page of CAFe Budapest festival. There is an interview with me about Georgia Bottoms and about getting our of your comfort zone in general. Again, the interview is in Hungarian, but the “Day 3 of the Festival” video can be enjoyed without speaking this one of a kind language.
http://www.facebook.com/CAFeBudapestOfficial

Oh yes, and I did get to translate Mark Childress’ RAP lyrics for a newly added scene into Hungarian for the surtitles. I even made it rhyme. 🙂

Music For Different Summers

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Bartók: The Wooden Prince (complete ballet with live sand animation)
Stravinsky: The Rite of Spring (performed with live dance)

I have started my summer by leading the conducting master-class with the rep above at the International Bartok Seminar and Festival. It was an honor to be a professor at this esteemed festival. John Cage, Gyorgy Ligeti and other world class musicians and composers have visited the Bartok Festival in small town Szombathely, Hungary back in the days. It was truly the place to be in the summer when I was a student. I myself have started there as a conductor student some 20 years ago, also have studied chamber music with Gyorgy Kurtág as a clarinetist.
This year I’ve had the honor to teach 10 active and a few passive students from all over the world. The closing concert was beautifully presented and very well attended.
After a short stop in Huntsville (there is always something to do when I am in town, and I did use my time wisely for business luncheons, meetings and planning) I have spent the last 10+ days in Portland, OR. I have taken on the role of Incoming Music Director of the Portland Festival Symphony in the last couple of years.

http://www.portlandfestivalsymphony.org

This wonderful organization has been providing free classical music for the Portland audience for over 35 years now. Playing live classical music in very different neighborhoods of the city for kids and adults is a fascinating and very rewarding mission. This year I have programmed overtures by Haydn, Mozart, Beethoven and Schubert along with my own piece “Rough and Ready, an American Outdoor Overture” composed directly for PFS and its outdoor concerts. The concert series ends today with an all strings concert.

I am ready for a brief vacation with my two sons, Balazs and Vince after this week. Well be spending our time in and around Huntsville, AL, and will be visiting the great city of New Orleans, too. After our annual “father and sons” vacation I will be flying to the Island of Jersey to start a hopefully long tradition of “Opera Island”. Armel Opera Festival is branching out and I am really excited about being part of this exciting new experiment. I will definitely post more about “Opera Island” at the end of this month. In the meantime, please check out the Jersey Opera House website for the Armel Festival program here:

http://www.www.jerseyoperahouse.co.uk

It sure feels like the extreme hot weather has been chasing me around. Hot and hotter weather in Szombathely, Budapest, Huntsville, and even in Portland (it was 109 degrees Fahrenheit on Thursday, that’s over 42 degrees Celsius). Yet the character of Summer is still different at these very different places, so is the music I have been working on. I find the summer of 2017 striking a nice balance between time off and good work. And yes, there is always composition time whenever I can get it. The new version of my first opera, “The Giant Baby” is in the making. Premiere at the end of June, 2018.

From Frankfurt to the Red Comet

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Last week I made my debut with the Frankfurt Radio Symphony. It was an amazing experience with a great orchestra made of open minded and friendly musicians. The audience at the “Sendesaal” of the Frankfurt Radio was very appreciative and enthusiastic. There was a fun pre-concert talk as well attended by about 200 people. On the program entitled ‘The Hungary of Eötvös’, there were all Hungarian contemporary pieces from four generations of composers including myself.’Concertino’ by József Sári, ‘Passacaglie’ by László Tihanyi, ‘Leviation’ by Péter Eötvös and my ‘Drums Drums Drums’ for three percussion players and orchestra.
http://www.hr-online.de
I was really happy about the reception of my percussion triple concerto. There was a ‘rock-concert feel’ to the performance and also to the reaction of the audience, just what I was hoping to achieve. I am looking forward to the next performance of this composition of mine in January 2018 with the Pannon Philharmonic!

The first radio broadcast of the Frankfurt concert will be on May 15 followed by a re-broadcast not long after. I will keep you posted.

I am back in Hungary now gearing up for many performances to come. The next two long months have kicked off with a project of the International Young Soloists (musicians from the UK and Hungary) with a program of Haydn, Mozart and Beethoven to be played at two small venues this week. In the meantime I have started working with the singers for Ligeti’s ‘Le Grand Macabre'(performance at the Erkel Theater on May 26: hence the RED COMET, if you remember the famous coloratura soprano aria!), and had my first read-though rehearsal with the Modern Art Orchestra. The latter one is Hungary’s leading Big Band. On May 28 at the Budapest Music Center I will be conducting a few arrangements of my music (Adagio from the Clarinet Symphony among them), and some great music by Duke Ellington and Pat Metheny among others.
http://www.bmc.hu

I will post more later about the upcoming opera productions in the frame of the “Hungarian Opera Festival” in the month of May and June. Stay tuned for a revival of the “Hungarian Late Night” show and two performances of “Spring Awakening” by Máté Bella and “La Violetta” by Árpád Solti at the Liszt Academy!

Mozart in the Looney Bin

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I am about to take another brief break from Eötvös and Bartók, and take a short trip to London to conduct Mozart’s Magic Flute with the staging of Róbert Alföldi
http://alfoldirobert.eu
as part of the Armel Opera Festival Days at the Hackney Empire Theater.
This is going to be my London debut.
The director has placed Mozart’s magical opera-characters between the walls of a mental institution, where everybody has his or her own mental issue. Magically (pun intended) this idea works really well and highlights some of the more interesting twists and turns of the original story. Just think about it for a second: who is the bad guy here? Is it really the Queen of the Night or is it Sarastro? Is everything black and white like we would like it to be?

Check out the full Armel program at the Hackney Empire here including the ‘In Memory of 1956’ concert program on October 23 conducted by Adam Fischer
http://hackneyempire.co.uk

Le Lanaudière. Portland Festival Symphony. Sziget: Island of Freedom.

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On July 9, after about 8 years, I conducted the Lanaudière Festival Orchestra again. It was great to return to conduct these amazing musicians, to collaborate with Alain Lefèvre on the piano
http://wikipedia.org
and to enjoy the ambiance of the amphitheater in Joliette, Quebec. Our program was the opening performance of the Lanaudière Festival 2016, an exciting mix of pieces by Tchaikovsky and Respighi.
http://lanaudiere.org
The rehearsals were held downtown Montréal, which gave me a chance to enjoy the Montréal Jazz Festival programs every evening and also to revisit some of my favorite places in one of my favorite cities ever.

After enjoying a brief family vacation my summer season continues with free park concerts in Portland Oregon. Lajos Balogh and I share the concerts this year starting today at Cathedral Park. Tomorrow (Sunday) there will be an all brass program presented at Laurelhurst Park. More symphonic and string concerts to come next weekend and the weekend after. Check out this year’s programs!
http://portlandfestivalsymphony.org

Based on popular demand Armel Opera Festival is presenting a fun 2 hour program every day at the famous Sziget Festival again this year. Scenes from Mozart’s The Magic Flute (staging by Róbert Alföldi), contemporary music improvisation with audience participation, symphonic world music with Hungarian stars, and a live crash course in orchestra conducting will be on the menu. Come and join us in August!
http://szigetfestival.com

A Great List of Composers

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Bartók, Eötvös, Halévy, Henze, Mahler, Offenbach, Saint-Säens, Schubert, Schumann, Verdi.

Schubert: Rosamunde Overture, Schumann: Cello Concerto and Mahler: Symphony #1 was the program of my concert with the Szeged Symphony on May 17. Miklós Perényi, one of the greatest cellists of the world played the solo part. The concert took place in the beautiful National Theater of Szeged. It was a great treat for me to conduct this program and a nice experience working with Szeged Symphony for the first time in a very long time.
Two days ago I participated in the press conference of the Armel Opera Festival 2016. Check out the website!
The upcoming program is very exciting.
http://armelfestival.org
I will be conducting Henze’s Elegy for Young Lovers with the Pannon Philharmonic and the young singers of the Academy of Music Budapest. I will also be doing a pre-rehearsal for Peter Eötvös’ newest opera called Senza sangue. This is the same work I will be conducting at the Hamburg State Opera this fall along with Bartók’s Bluebeard’s Castle.

Yesterday I attended the opening concert and ceremony of the Jewish Art Days, a new festival in Budapest Hungary. I am conducting an evening of opera music with Hungarian and Italian singers at the Italian Institute at the helm of the MAV Symphony Orchestra on Tuesday (May 31). On the program: music by Offenbach, Verdi, Saint-Säens and Halévy.
Check out the details here:
http://zsidomuveszetinapok.hu

I agreed to conduct the diploma concert of Bálint Kruppa. This amazingly talented young Hungarian is playing Bartók’s 2nd Violin Concerto with the Danubia Orchestra on June 7 at the Academy of Music.
http://zeneakademia.hu

Both the orchestra and Bálint will participate in the conducting masterclass organized by the Eötvös Music Foundation. The program is called Focus of Bartók, Kurtág, Lachenmann.
I will be teaching alongside with Peter Eötvös and Olivier Cuendet.
Read about the details here:
http://eotvosmusicfoundation.org

Many great composers and amazing pieces, lots of music, lots of work make me happy.