Tag Archives: classical music

Radio Christmas

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Two more concerts left for this year. Tonight I am conducting part of the now traditional year end Christmas Concert of the musical groups of the Hungarian Radio. Here is the program with some links:
Miklos Kocsar: Hungarian Christmas
http://info.bmc.hu
I studied with Mr. Kocsar for a year as a composer student back in the 90s. He is 80yo this year and his Birthday is just two days after the concert. This piece is a wonderful arrangement of traditional Hungarian Christmas songs.
Respighi: Lauda per la Natività del Signore
http://www.osscs.org/notes
Britten: A Ceremony of Carols
Bruckner: Scherzo from Symphony #1
Bruckner: Te Deum
http://en.wikipedia.org

The first and the third pieces are sung by the MR Children’s Choir and conducted by its two choral masters. I get to conduct the charming Respighi and the celebratory, joyous Bruckner compositions. The entire concert is part of the EBU (European Broadcasting Union) Christmas broadcast. As always you can listen to the concert at
http://www.mr3-bartok.hu/
live [19:30 local time] or stream it on your computer for two more weeks.

On December 23 I will conduct my first concert at the newly remodeled Franz Liszt Academy of Music. On the program three brand new Christmas Cantatas by young Hungarian composers. Just like earlier this season I am the member of the jury for a composers’ competition and the conductor of the final round. Two Christmas themed texts by Hungarian writer Geza Gardonyi was selected for the competitors to put into music. Three finalists were selected by the pre-screening committee and my orchestra and the MR Symphonic Choir will perform their compositions in front of a live audience. This concert can also be heard on the radio.

Let me wish Merry Christmas, a Wonderful Holiday Season and a Very Happy New Year to all my blog readers and music lovers out there! Come back and visit my site in 2014, too!

Eine Kleine Stravinsky

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Symphony Silicon Valley invited me to conduct an interesting “pasticcio”-program this week at the beautiful California Theater in San Jose, CA.
Two concerts, one on Saturday evening and one on Sunday afternoon start with Mozart’s “way-too-well-known” Serenade in G K.525 nicknamed ‘Eine kleine Nachtmusik’. It is a challenge to do music that is always on the “Your Favorite Classical Music” selection at your local radio station or can be found on a Holiday CD for $2 each at Walmart. The only thing a conductor can do is to read the score with fresh eyes and concentrate purely on the musical information on the sheet music. Knowing and loving Mozart’s genius and work also helps. I spent a long hour rethinking phrasing, articulation, tempi and ornaments for this lively piece of string orchestra music. As always I am having fun with the challenge.
The second piece on the program is Symphony in C (Symphonie en ut as the score says in French) by Igor Stravinsky (or Strawinsky according to Edition Schott). This is a 28 minute long so called “neo-classical” composition written in 1940 for a medium size Beethoven orchestra. I don’t want to go into details here about the intricacies of orchestration, chord-engineering or thematic development. Let me just say one thing. There is no 20th Century composer who can dress up a seemingly simple chord or motive like Stravinsky can. This piece shows great mastery of pretend-simplicity and gives us a captivating musical portrait of the “Key C” in all its glory.
Read the program notes by Phillip Huscher here:
https://cso.org
In the second half of the program I get to be the musical partner of Mayuko Kamio
http://www.dispeker.com
in her colorful and imaginative interpretation of Tchaikovsky’s Violin Concerto.

Scarlatti and The Musical Robots

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On Saturday, November 30 at 5PM local time I get to conduct a concert at the helm of the Budapest Strings
http://www.budapestivonosok.hu
at the Palace of The Arts in Budapest, Hungary. The concert includes two world premieres, one by the world famous composer, Peter Eotvos. It is a composition for French Horn and string orchestra, a very elegant and sensitive piece of music. It is an honor to be able to do the World Premiere of a new composition by Eotvos, who is turning 70 in January 2014 and whom I can call my teacher and mentor in both composition and conducting.
See the composer’s webpage about this new composition entitled Hommage a Domenico Scarlatti:
http://www.eotvospeter.com

More compositions by Eotvos will be included in my 13-14 season.
As part of the so called “Mini Festival” at the end of January in cooperation with Neue Oper Wien and Palace Of The Arts I get to conduct the Hungarian premiere and the studio recording of Eotvos’ latest opera: Paradise Reloaded (Lilith).
In February Huntsville Symphony is presenting an orchestral composition of his entitled “The Gliding of The Eagle in The Skies”, and also a very interesting action-piece called “Brass The Metal Space”.
Watch my blog posts about these performances in the next few months!

The other world premiere this Saturday is that of my “Gulliver Suite” for Tubular Bells and Strings, an 11 minute long composition based on “Gulliver in Faremido”, a piece of mine for narrator and 5 players. You can buy the commercial recording of the latter piece by going on iTunes or to this website:
http://www.bmcrecords.hu
The story behind the music is based on a Gulliver-sequel by 20th Century Hungarian author, Frigyes Karinthy. In this modern voyage Gulliver ends up on a planet where robot-like beings communicate by music instead of speech. More program notes and the story itself can be found on the Budapest Music Center link above. The movements of “Gulliver Suite” are: 1) Gulliver in Faremido 2) Robot Concert 3) Story Of The Two Headed Monster 4) Be That As It May

Since the performance is part of the “Master and Student” conversation-concert series Mr. Eotvos and I will be joined by musicologist Prof. Imre Foldes. I am hoping for an interesting and stimulating conversation about the new pieces and the two Baroque compositions by Georg Philipp Telemann.
http://en.wikipedia.org

I picked Telemann’s Gulliver Suite (originally for two solo violins, but we play it with 5+4 players in a stereo setting) and one of his Horn Concertos to compliment the modern music performed. This will be my first time to work with the great, young horn player, Szabolcs Zempleni.
http://www.zempleni.com

To The Moaning And The Groaning Of The Bells

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Last Friday I conducted the concert version of Puccini’s La Boheme with the Huntsville Symphony, the Community and Children’s Chorus and a wonderful cast at the Von Braun Center. This was the first time ever in my life when I started a dress rehearsal with not all the principals present. Due to an unforeseen illness we needed to hire a replacement Mimi. She drove 4 hours from Atlanta and was just pulling into the parking lot as I started Act One (5 minutes late). She just walked on stage about 10 minutes into the act (Mimi’s first appearance) and did a wonderful job. See names and more read more details in FaceBook posts by Huntsville Symphony and myself. No matter in what format you are doing opera, the usual “operatic excitements” always do occur.
From the happy morning bells of Act 3 in La Boheme I have arrived to some very different bells in Budapest, Hungary. As part of the Hungarian Radio Symphony’s (MR Symphony) 70th Anniversary season concert series I am conducting a concert at the Palace of the Arts (MUPA) this Saturday. On the program:
Andras Szollosy (a great composer, often remembered as “The Great Third Master” with Gyorgy Ligeti and Gyorgy Kurtag): TRASFIGURAZIONI
Stravinsky: SYMPHONY OF PSALMS
Rachmaninov: THE BELLS

Fro the lyrics of the latter composition (a great symphony for orchestra, chorus and solo voices) see the following link
http://www.recmusic.org

I designed the entire concert program around “The Bells” theme. Andras Szollosy (FYI the letter “SZ” next to Bartok’s compositions refers to his name, since he was the one -a composer AND a musicologist- who put together the chronological order of Bela Bartok’s works) was obsessed with the sound of the bells. In this energetic and very much “Rite of Spring”-like piece (16 minutes of music) has a lot of great bell-effects masterfully orchestrated for a group of triple woodwinds, 3 trumpets, 3 trombones, 3 (!) violin sections, violas, celli and basses (note that the lack of percussion instruments including any type of bells here!) Szollosy was a big fan of Igor Stravinsky and his music. Needless to say, that the unmistakable Russian bell sound plays a big part in this unique and captivating composition entitled Symphony of Psalms. Here is the unusual orchestration of this piece:
5 flutes (incl. piccolo), 5 oboes (incl. English Horn), 4 bassoons (incl. Contrabassoon) 4 horns, 5 trumpets (incl. Piccolo Trumpet), 3 trombones, tuba, timpani + percussion, two pianos, celli and basses. Yes, you read it right, while the Szollosy piece has three violin sections this piece has NO violins or violas whatsoever.
The Psalms used by Stravinsky for the three movements are:
Psalm 38, verses 13&14
Psalm 39, verses 2,3 & 4
Psalm 150 (complete)

Here are the words for Psalm 150

1 Praise the Lord.
Praise God in his sanctuary;
praise him in his mighty heavens.
2 Praise him for his acts of power;
praise him for his surpassing greatness.
3 Praise him with the sounding of the trumpet,
praise him with the harp and lyre,
4 praise him with timbrel and dancing,
praise him with the strings and pipe,
5 praise him with the clash of cymbals,
praise him with resounding cymbals.
6 Let everything that has breath praise the Lord.
Praise the Lord.

Schubertkugel

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Mozart, Schubert and once again Mozart.
The Flute and Harp Concerto and Schubert Symphony #9 “The Great” with Grand Rapids Symphony (last week) and today (Sunday) the amazing Gran Partita (Serenade #10) by Mozart.
I am playing the clarinet and conducting tomorrow. This one of a kind serenade (also sound track to Amadeus) is the only piece on the program for Huntsville Symphony’s Casual Classics #1 at the Early Works Museum. We are serving dinner with the music, or music with dinner; just like it used to be done in the days of Mozart.
As for the concerts with Grand Rapids Symphony last week: I rearranged the seating for the Schubert Symphony. I put the woodwinds in the front of the orchestra since they are playing a major and solo role throughout the entire piece. (Also you play and listen differently if put in an unusual set up.) This way I could focus the attention to the chamber music qualities of this indeed lengthy and great symphony. In the first half of the concert we performed another composition in C Major (by Wolfie himself, and another piece from the Amadeus sound-track). Beth Colpean and Chris Kantner played beautifully. Assistant Principal oboe, Alexander Miller composed the candenzas. It was a real home-grown project, also my second (fun-)time with the GR Symphony.
See review and pictures here

http://www.mlive.com

I had fun by doing the preconcert talks, called “UpBeat” as well. I showed a picture of Mozart, of Schubert, then a photo of one of my favorite sweets, Mozartkugel. Then I showed the picture of Schubertkugel, which was practically just the blank screen. No Schubertkugel exists. With all his problems and battles to fight, Mozart has always been a bigger commercial success than Franz Schubert. However, I am pretty sure, there is something named after Schubert in the great city of Vienna. Most likely a piece of cake or some melange (coffee+cocoa) with whipped-cream.

One more thing: Salieri was not the villain showed in the movie Amadeus (based on a play). Among other things he was the mentor and teacher of young Schubert himself.

The Season That Opens Twice

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This is the season that opens twice. The first half of the first concert of 2013-14 starts with Brahms: Academic Festival Overture. The second half of the first concert of 2013-14 starts with Brahms: Tragic Overture. Having the longest continuously operating symphony orchestra in the state of Alabama alone calls for celebration. I also think that number 59 is just as nice a number as 60 (yes, we are already getting ready for a great season of celebration!). The concert will end with the mind-blowing piece of Leos Janacek entitled Sinfonietta. 9 extra trumpets (12 all together) and some other additional brass instruments are joining the HSO to finish the concert with a big bang. In the first half the great Robert McDuffie is joining the forces of the string section along with harp and percussion to play Bernstein’s Serenade. It is a real treat an tons of fun to make chamber music with Robert.
Check out his website here:
http://www.robertmcduffie.com

Brahms, Bernstein, Brahms, Janacek
Check out Huntsville Symphony website here:
http://www.hso.org
Listen to WLRH Radio tomorrow (Friday) morning for a pre-recorded interview with Ginney Kennedy about this concert and the upcoming season.
Let “The Season of Personalities” begin!

Season Opening, Gyorgy Ligeti and the Rapper

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On Monday I am starting the rehearsals for two big projects with the Hungarian Radio Symphony Orchestra (MR Symphony). On September 21 the orchestra opens its 70th Anniversary Season at the Palace of the Arts in Budapest with the following program:
Liszt: Les Preludes
Chopin: Piano Concerto #2 [Gergely Boganyi -piano]
Dohnanyi: Symphonic Minutes
Tchaikovsky: Symphony #5

This program is the exact replica of the very first public concert of the orchestra on October 7, 1943 conducted by Ernst von Dohnanyi himself. This concert kicks off our 70th season celebration with many exciting concerts and projects. More info here:
http://mrze.hu

Two concerts are coming up the week after our season opening concert. We’ll be playing 8 brand new compositions in two concerts (chamber orchestra and full orchestra), one at Budapest Music Center (my first time conducting in this amazing new chamber music hall) on Sept 25, the other one a day later at the Palace of the Arts. After the concerts the final committee (including myself) will decide about the prize winner compositions. I got to tell you that it is going to be a difficult decision. The quality of the 8 pieces in the finals are very high and every one of them represent a very unique, personal voice. Just as a teaser: one piece is for “pianist” and orchestra, where the soloist only plays one chord at the end of the piece. Another composition employes a rapper alongside with the symphony orchestra.
This year’s New Hungarian Music Forum competition is dedicated to the great Gyorgy Ligeti. Check out the details here:
http://bmc.hu

All concerts mentioned above can be heard live thanks to the Hungarian Radio. They are also available online live or after the performance for another two weeks at radio.hu

“Z” recordings

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In the last couple of days I have been doing two so called “Z” recordings with the MR Symphony (Hungarian Radio Symphony Orchestra) and Chorus. Letter “Z” stands for “Zene” which in English simply means Music. In the good old days they used to mark the tapes with a letter Z (versus radio talk shows and other non-musical recordings) for easier cataloging. In Studio 6 at the historic Hungarian Radio building, downtown Budapest we recorded two compositions. Ernst von Dohnanyi’s lively Symphonic Minutes and a contemporary composition called Requiem, Symphony #3 by young Hungarian composer Peter Zombola. Check out his website here:
http://zombolapeter.uw.hu
Zombola’s Requiem (Symphony #3) was named Classical Contemporary Composition of the Year in 2012 by the Hungarian Copyright Office, Artisjus. As for the Dohnanyi piece we recorded it for a very interesting project. Since my orchestra is celebrating its 70th anniversary season the Hungarian Radio is preparing a series of radio programs to celebrate our work. One of them is a show about how radio recording technology developed since the beginnings. They are using different recordings of Symphonic Minutes made throughout decades to demonstrate the progress. We also made a video spot for the European Broadcasting Union (including an archival news footage of Dohnanyi himself conducting the last movement of Symphonic minutes in the same Studio 6 where we did it!) that will be available on our website soon. Stay tuned!

40 is the new…

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No, 40 is not the new 20. 40 is 40. Although I don’t think that #40 is any more important than #39 or #41(I remember doing a concert -being somewhat rebellious and silly at the same time- called “Gregory Vajda is 26 yo”) yet at age 40 I can’t totally escape thinking about what is behind and what is ahead. So to keep this light yet informative and hopefully blog-worthy I decided to list all the orchestras and ensembles I had the pleasure to conduct since I started my conducting career (my first real professional appearance dates back to 1998)
[Planning to write some more posts similar to this in the coming year.]
USA
Atlanta Opera
Baltimore Symphony
Camerata Houston
Charlotte Symphony
City Music Cleveland
Grand Rapids Symphony
Grant Park Orchestra
Houston Symphony
Huntsville Symphony
ICE: International Contemporary Ensemble
Kalamazoo Symphony
Los Angeles Philharmonic
Louisiana Philharmonic
Memphis Symphony
Milwaukee Symphony
Milwaukee Chamber Orchestra
Music in the Mountains Festival Orchestra
Omaha Symphony
Orchestra of St. Luke’s
Oregon Symphony
Philadelphia Orchestra
Saint Paul Chamber Orchestra
Santa Barbara Symphony
Santa Rosa Symphony
Seattle Symphony
Symphony Silicon Valley
Texas Festival Orchestra
Third Angle New Music Ensemble
Toledo Symphony
Vancouver Symphony

CANADA
Calgary Philharmonic
Edmonton Symphony
Kitchener Waterloo Symphony
Les Violons du Roy
Montreal Opera
Montreal Symphony
Orchestre Metropolitain du Grand Montreal
Toronto Symphony
Winnipeg Symphony

THE AMERICAS
Orquesta Sinfonico de Nacional Costa Rica
Simon Bolivar Youth Orchestra of Venezuela

EUROPE
Ensemble Intercontemporain
Ensemble Laboratorium
Hungarian State Opera
Hungarian Radio Symphony
Klangforum Wien
MAV Symphony Orchestra
Pannon Philharmonic
Savaria Symphony
UMZE New Music Ensemble
Vienna Philharmonic

AFRICA
Cairo Opera

International Bartok Festival Opening Concert

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The last concert of the season for me is coming up at the International Bartok Festival in Szombathely, Hungary.
As a clarinet- and later as a conductor-student I have participated many times at the master courses of this signature new music festival. It was here about 20 years ago when I first met Peter Eotvos.
http://www.eotvospeter.com
I also studied with Gyorgy Kurtag here and listened to lectures of Gyorgy Ligeti.
I was invited as a professor of the conducting master course in 2009 and this summer I am doing the opening concert of the festival with the Savaria Symphony Orchestra as a guest conductor. Live concert broadcast by the Hungarian Radio can be streamed here:
http://www.mr3-bartok.hu

Bartok: Wooden Prince Suite
Ligeti: Mysteries of the Macabre (Bence Horvath -trumpet)
Eotvos: Cello Concerto Grosso (Miklos Perenyi -cello)
Kodaly: Hary Janos Suite

More information about the program of the festival is available here:
http://www.bartokfestival.hu