Armel Auditions

Tomorrow I am off to Paris for a couple of days to listen to 70+ singers auditioning for the International Armel Opera Festival’s 2016 program.
http://armelfestival.org
On April 2 there will be another round of auditions in Budapest at the French Institute. After these rounds I have to pick the young singers who get to compete in these exciting productions among others:
Maria de Buenos Aires by Astor Piazzolla
http://piazzolla.org
Senza sangue by Peter Eotvos
http://eotvospeter.com
Elegy for Young Lovers by Hans Werner Henze
http://wikipedia.org

After the Easter Holidays I am going to do pre-rehearsals for Dr. Faust by Ferruccio Busoni, a semi-staged production that I will be conducting at the Budapest Opera in May.

After Opera High

What do you do after the successful premiere of your own opera? You start working immediately on changes based on audience reaction and other factors. Mark Childress and I have been on the phone, Skype, and email several times a day talking about additions and changes to Georgia Bottoms, A Comic Opera Of The Modern South. Mark has written a few awesome and extremely funny short scenes already. In short, there are new words now for me to put into music. However I do need a few weeks of time to detach from the highs of the premiere week before I can start writing music again for Georgia Bottoms.

In the meantime I am composing music for a Norwegian full length stop animation feature. The production teaser is due next week. I am receiving the final version of the teaser for a last look before it gets sent out to the distributor hopefuls. I won’t tell you anything else about this project now, not even the title of the film. I promise to give you an update when it is appropriate.

Another project I picked up again (started working on bits of it a few months back) is the English language adaptation of Peter Eotvos’ latest opera, The Golden Dragon.
http://schott-music.com
It is a lot of fun to be able to get creative with someone else’s music and also to brush up on my German a little bit.

Stay tuned for more posts about upcoming concerts and projects! I’ll be back next week!

Georgia Bottoms: A Success

I’ve been holding off with my blog post about the Georgia Bottoms World Premiere simply because I’ve been working 12 hours last week. It’s been a crazy ride. I don’t think that anybody here has ever done a practically fully staged opera production in just 6 days. We had our first musical rehearsal last Sunday. David Gately finished staging the opera on Thursday, we had one piano run on Friday, orchestra-dressrehearsal and performance on Saturday.
See David’s FaceBook post here:
http://facebook.com

I’ve been holding off with my blog post also because I’ve been living in an imaginary place for the last week. With the help of Mark Childress, David Gately, Vivienne Atkins and the wonderful creative and stage crew Six Points, AL came to life and from now on it is an actual town not only in Mark’s book but also on opera stage.
Read Mark Childress’ FaceBook post here:
http://facebook.com

I would like to thank Everybody: singers, musicians, staff, crew, sponsors and the audience! Having one’s opera performed live is an amazing thing. I am proud of the HSO and thankful for their support and for all their hard work. We sure created something amazing together to celebrate the 60th season of this amazing organization.

At last, enjoy the FaceBook post of Our Georgia: the amazing Rebecca Nelsen.
http://facebook.com

Transfiguration

Balazs Fulei
http://balazsfulei.com
pianist and the Hungarian Radio Symphony Orchestra under my direction will be performing a somber and touching program all about drama, death and transfiguration. The venue is the beautiful Main Hall of the Liszt Academy in Budapest.

Brahms: Tragic Overture
Bartok: Piano Concerto #2
Jozsef Sari: Jacob is Wrestling with The Darkness (World Premiere)
http://wikipedia.org
Richard Strauss: Death and Transfiguration

Ultimately all musical pieces are about Transfiguration.
http://merriam-webster.com
The very nature of playing and listening is that you become a different person after experiencing live music. Music itself of course is nothing else than transfiguration of notes. With the World Premiere of Jozsef Sari’s composition we are celebrating the 80th Birthday of the composer who will be present at the concert hall.

Tomorrow at 7:35PM Hungarian time (1:35PM EST) you can listen to our concert live by clicking here
http://mediaklikk.hu
The concert will be available for streaming for another two weeks. Just search by date and time!

On Saturday afternoon Bartok’s 2nd Piano Concerto moves to Studio VI. at the Hungarian Radio. We’ll be recording another show for the Musically Speaking series. Musicologist Zoltan Farkas is doing the talking in front of a live audience. The show will be aired in a couple of months.

Bang On A Can Verdi

I am writing this entry during a short, self-imposed break from watching the movie Men, Women & Children while flying somewhere over the Atlantic in the course of my travel- an 18 hour journey on planes and at airports in between. I am going from a program with handful of musicians and the intimacy of a 300 seat hall to a 200+ chorus with full orchestra at a 2K+ seat auditorium. This is a must see movie. I won’t spoil it for you…all I am saying now is that people are different, fascinating, boring, engaging, well rounded, screwed up in different ways, and it is all “out there” in cyber space since the invention of the internet. This movie is comforting in a way because it tells us there is nothing new under the sun as far as human behavior goes. It is very honest about how people live more and more in the virtual world of Facebook and war games and dating sites. I guess this is what I am doing with this blog no different from billions of other people (Note to self: google the number of personal blogs in the world!). Creating a virtual copy of yourself and talking to a practically unknown audience (yes, I know I should track data on how many people and from where, are actually reading this) is an intellectually exciting thing to do. Realizing how many other people are doing the same thing all around the world is humbling.

Traveling often creates time that needs to be used in ways that don’t come into play with a regular day job. Reading, watching movies, writing a blog post off line and posting it later, thinking about stuff, making plans are all part of “being on the road”.
Trying to make sense of “lost time” while getting from A to B has become a lifestyle for me. It is a necessity and as always I am trying to make the best of it.
I just remembered a quote from American composer David Lang (Note to self: nice job connecting the dots and making this post more than just babbling!) “And time eventually will pass” [check quote!] The quote is from the notes to ‘Little Eye’ a movement from the 40+ minute chamber music cycle by Lang entitled ‘Child’. ‘Child’ is a very honest, naive, simple yet labyrinth like musical piece. UMZE Ensemble just played it under my direction as the second half of a concert with flutist Claire Chase at Budapest Music Center. I think programming this minimalist piece was a pretty good idea after listening 45 minutes of complex, difficult music by composers like Jozsef Sari, Peter Eotvos, Dai Fujikura or Gregory Vajda.
Letting your thoughts wander while listening to repetitive music is a liberating and also -to me at least- somewhat disturbing experience.

By now most of you are probably thinking, “Where is he going with all this?” or “Hello, we were promised some Verdi here!” All right, since this type of stream of consciousness blogpost cannot be finished, only stopped, I am stopping it right here.
Going from David Lang to Giuseppe Verdi with thousands of miles traveled in between is my reality. Very different programs with very different bands at very different places-yet similar and connected. There is a powerful pop music quality to the Verdi Requiem. There is a lot of pop music in David Lang’s art. Simple lines, repetition, basic musical ideas painted with plain colors. Raw power.
This physical reality however feels a lot like our virtual reality: seemingly random things interconnected with the help of search engines and our personal preferences. Bringing us back to the movie Men, Women and Children ☺.
Bang on a can Verdi.

Going from Lang to Verdi is natural after all. It is real life.

Same Airport, Different Music

HSV-BUD-HSV
I can definitely say that by now I know every little corner of the Huntsville and of the Budapest airports. I have seen these cities from the sky from every possible angle during take off and landing. Every time I depart and arrive however I am carrying different scores in my bag. I’ve got different music for familiar airport lounges.
This time my carry on was heavy of scores by Verdi, Telemann, David Lang
http://davidlangmusic.com/music/child
Kornel Fekete Kovacs
http://feketekovacs.com
and others.

2015 starts off with an all trumpet concert on January 5, honoring the 70th Birthday of Gyorgy Geiger, former principal trumpet player of the Hungarian Radio Symphony.
See a CD here him and I recorded together quite a few years ago:
http://amazon.com

Hungarian trumpeters from all over the world are coming together to celebrate and all of them are playing something fun. I am looking forward to a delightful mix of Baroque and contemporary music and some good times with friends who are also great musicians.
http://tarkovigabor.com
http://gabor-in-concert.com
http://www.berliner-philharmoniker.de

On January 11 Ensemble UMZE and special guest, flute player extraordinaire Claire Chase
http://www.clairechase.net
from NYC will be performing under my direction, again at the beautiful Budapest Music Center. The contemporary musical pieces on the program are all about marriage, birth, children and childhood memories. I am looking forward to hear Claire and the musicians of UMZE performing the Hungarian Premiere of my composition ‘Conversation With Children’!
Read about the concert here:
http://bmc.hu

On January 12 I will be on my way back to Huntsville to conduct Verdi’s magnificent Requiem for the classical series of the Huntsville Symphony. Then back again to Budapest…, but I will write about that in my next posts.

Here are the first two months of the New Year for me in airport codes:
HSV-BUD-HSV-BUD-HSV-BUD-HSV
Delta Lounge, here I come!

Two World Premiere Opera Recordings

Teaching a conducting master class last week for the Eotvos Foundation at the beautiful and highly functional Budapest Music Center was demanding and a lot of fun. This week had been busier than I expected. On Monday composer Peter Eotvos and producer Laszlo Goz (owner of BMC) and myself had a chance to officially listen to the recording we made this January. I am happy to report, that “Paradise Reloaded (Lilith)” now has a rich in details, beautifully mastered reference recording. Mr. Eotvos will put a few finishing touches on the final version before the end of this year. This World Premiere opera recording will be available as part of the Budapest Music Center Eotvos series sometimes soon in 2015.

I had two days to rehearse the comic opera of Ernst von Dohnanyi
http://www.britannica.com
again (the one I premiered at the Erkel Theater this fall). We are taking this opera into the studio. Starting tomorrow (Sunday) I will be driving almost every day to
http://www.phoenixstudio.hu
where the wonderful singers and the musicians of the Hungarian State Opera will be my partners in crime to record the first ever uncut version of this delightful 20th Century comic opera. The recording will be part of the discovery CD series of Hungarian operas by the Hungarian State Opera
http://www.opera.hu
I am hoping to see the final product on the shelves as soon as February 2015.

Just to take a small break from the recording process (OK we do have a planned day off) I am driving to Vienna, Austria on Tuesday.
I’ll be meeting opera singers Rebecca Nelsen
http://rebeccanelsen.eu
and Tamara Gallo
http://www.tamaragallo.com
to do two pre-rehearsals for the February World Premiere of my Comic Opera of the Modern South, Georgia Bottoms. Sometimes in the second half of December I will be meeting stage director David Gately
http://www.davidgately.com
in the US to discuss details about the February World Premiere in Huntsville, AL.

I wish You All a Happy Holiday Season! Come back here after Christmas time to read about my New Year’s Eve concert with the Huntsville Symphony! See you Soon!

Paris, Weimar, Budapest

The international conducting workshop organized by
http://www.eotvosmusicfoundation.org
has begun. 14 students from Paris, Weimar and Budapest are working with three professors:
Ulrich Poehl
http://www.ulrichpoehl.com
Jean-Philippe Wurtz
http://www.ensemble-linea.com
and myself.
Tomorrow afternoon the members of
http://www.thrensemble.com
will be joining us.
On the program:
Philippe Manoury: Passacaille pour Tokyo
Pierre Boulez: Derive 2
Matthias Pintscher: Occultation
Hindemith: Kammermusik no.1

We are all lucky to enjoy the luxurious facilities of the Budapest Music Center.
http://bmc.hu

The conducting workshop is supported by
Institute Francais Budapest
http://www.franciaintezet.hu
Goethe Institut Ungarn
http://www.goethe.de/ins/hu/bud/huindex.htm
Liszt Music Academy
http://zeneakademia.hu

Berlioz And The Ladies

So what’s the big deal? This Friday, for the first classical concert of the season HSO and I are performing “Escaramuza” by Gabriela Lena Frank
http://www.musicsalesclassical.com
and “D’un matin de printemps” by Lili Boulanger
http://www.wikipedia.org
Oh yes, the big deal is apparently that both are woman composers. It still is a big deal in this Symphony World of ours despite the work of accomplished female composers like Jennifer Higdon or the recent Pulitzer Winner Caroline Shaw. I guess pop music is much more gender-blind in this regard. The Universe of Classical Composition still seems to be dominated by male composers and their work.
Since our upcoming concert is honoring the Symphony Guild, HSO’s all-women volunteer fundraising organization
http://www.hsoguild.org
I wanted to find compositions by female composers that are fit for this occasion and make a great concert program with Berlioz’ “Symphonie Fantastique” in the second half. The Symphony Guild commissioned “Escaramuza” by Lena Frank in 2010. I am happy that we get to play it again hopefully securing a future for the piece in the repertoire of other orchestras as well. The first half of the concert ends with an only 5 minute long symphonic movement by the younger sister of the famous Nadia Boulanger, Lili (see Wikipedia link above). This piece is a masterful work of a young composer, full of colors and ideas, not performed on a regular basis. To create a frame to the concert program I decided on opening with a delightful overture also by Berlioz called “Beatrice et Benedict”.
http://www.wikipedia.org
At least once a year I like to do a concert featuring HSO alone with no guest soloist. Our 2014-15 classical season opens with a program just like that. Our “Berlioz and the Ladies” program kicks off the 60th Season of the longest continuously operating symphony orchestra in the state of Alabama. Happy Anniversary, Huntsville Symphony!

Lady Sarashina Returns

In 2004 I crossed the bridge of dreams.
Andras Almasi Toth, stage director and myself put on stage the beautiful and captivating dream-piece by Peter Eotvos based on the diary of Lady Sarashina from a thousand years ago. Hungarian actors and international musicians joined forces and produced the Hungarian premiere of this so called “sound theater” ‘As I Crossed a Bridge of Dreams’. The piece is rich in poetry and amazing musical ideas like trombones with double bells and a white sousaphone playing the role of the Moon. I’ve had the pleasure of conducting this composition with the famous Ensemble Intercontemporain in Paris (this was my debut with them in 2001) then with Klangforum Wien in Vienna, Austria in a completely new production. Then in 2009 Budapest Music Center has produced a very successful recording.
http://www.allmusic.com

In 2007 Peter Eotvos turned this work into a full blown opera with the title ‘Lady Sarashina’. It was premiered in Lyon, France, and ever since it has been performed all over the world. http://www.eotvospeter.com
Tonight Lady Sarashina returns. She is being reborn for two nights with the help of CAFe Budapest Festival and the Liszt Academy.
http://www.cafebudapest.hu
Stage director: Andras Almasi Toth. Conductor: Gregory Vajda. Same team and a composition reincarnated.