Tag Archives: Die Fledermaus

Notes From The New Year

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When so many things happen in a short period of time one can either write about everything, risking that his readers start skimming the post, or just write about something current and personal while ignoring everything else. I don’t feel like doing either in this New Year of 2016. I am going to just write things down as they come to my mind, limiting comments as much as I can.

The death of Boulez and the passing of David Bowie (yes, I do feel like it is all right to mention them in the same sentence) reminded me of the phenomenon how one person’s death can signal an already ongoing change. It is now officially post-Boulez and post-Bowie era. As so many people posted “when I met Boulez” pictures on FaceBook and elsewhere I didn’t want to do the same. Mostly because the few times we met we were not posing for pictures. I cherish my memories and yes, I do have my own “Boulez story” as well. I prefer to share them when we are sitting around a table sipping wine and having a conversation.

Tonight is the second to last performance of the annual revival of ‘Die Fledermaus’ at the Budapest Opera.
http://www.opera.hu
I am having a blast with this operetta (I’d rather call it an opera) and tons of fun working with many great Hungarian singers.

All day today I stayed home and studied “The Abduction from the Seraglio” by Mozart. As I mentioned it several times before, it is great fun to re-discover a piece of music or a complete opera for yourself by studying it again in depth. All I am going to say is: go and listen to the quartet from the end of Act 2 (#16)! It is amazing how Mozart can put interpersonal drama into music. In just one long(er) musical number one can experience trouble and resolution, and see two couples get back together.
By studying Mozart again I understand more of “Die Fledermaus”, too. Johann Strauss II learned a whole lot from Wolfgang Amadeus in how to write an ensemble and how to create drama on stage by words and music. Both operas are comic operas but they are definitely not “light”!
I am looking forward to the concert version of “Abduction” with the Huntsville Symphony in just 10 days.
http://www.hso.org

I finished editing the parts for my Clarinet Symphony. Tomorrow I am meeting with the two clarinet soloists for the first time. I am looking forward to the World Premiere on February 3 with the Radio Symphony.

Good news is in the making for Georgia Bottoms, A Comic Opera of the Modern South, and also there is a prospect for a new stage work of which I will be posting as soon as things become serious. I will be getting back to composing music for an animated movie, so my days are busy as ever.

Thanks for reading and stay tuned in 2016!
Happy New Year!

Escape from LAX (Notes From Before Christmas)

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My preparation for the Holidays included a couple of piano-stage rehearsals for “Die Fledermaus” by Johann Strauss. I am conducting 9 performances of this production, two of them on December 31, at the Budapest Opera. The New Year’s Eve performance, traditionally is going to be a big party with surprise musical guests appearing in the ball scene in Act 2. (Sorry, but I am not allowed to reveal who they actually are.)
Read about the Budapest “Die Fledermaus” performances here:
http://www.opera.hu

I have had my own Nightmare Before Christmas. I believe it is enough to say that the route of my European flight looked like this: LAX-CDG-BUD. The layout of the Los Angeles Airport reminds me of the 1996 sci-fi action movie “Escape from L.A.” You need serious survival skills to get from one terminal to the other, and you need all the help of the internet to figure out which lounge to use at the the international terminal if you are a Sky Team frequent flier. LAX is still stuck in the last century. They are yet to figure out how useful automatic light rails are let alone simple but clear signs to point you to the direction you are going. At Charles de Gaulle International Airport there is now at least a new automated light rail running between terminals. Make no mistake, there is still plenty of room left there to make for a nice jogging exercise if one wants to catch a connection while one’s suitcase is not being transferred despite a nice, bright yellow “Priority” tag.

Since concluding my Resident Conductor tenure with the Oregon Symphony (2012) I have not had the opportunity to conduct Christmas music or any other Holiday favorites. To be completely honest I get just enough of this type of music by spending a few hours shopping at department stores. I remember a French department store staff going on strike a few years back saying that nobody should be exposed to the same 7 songs for 8-12 hours a day. What can I say, I am totally with those guys! At the same time however, having the Oregon Symphony play some of the Christmas music arrangements I made for them definitely puts me in the right Holiday spirit. Thanks for my friends and former colleagues for sharing this info with me every December! 🙂

I wish You All a successful, low stress few days leading up to Christmas and a Blessed, Wonderful Holiday Season!