Tag Archives: vaughan williams

Milano-Budapest-Huntsville

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Welcome back everyone!
I hope you all had a great summer and you are ready for the next season of great classical music.
My 2015-16 season starts on September 4 with a concert performance of Lady Sarashina by Peter Eötvös at festival Triennial di Milano as part of the Milano World Fair.
http://triennale.org
I will be conducting the cast of the October 2014 Budapest production and the Hungarian Radio Symphony at Teatro dell’Arte.
See the blog post about the Budapest production here:
http://gregoryvajda.com

I have the honor of conducting the first two shows of a brand new concert series with the Hungarian Radio Symphony at the Budapest Music Center.
On the program:
Haydn: Symphony No. 6 “Le Matin”
Haydn: Piano Concerto in D-major
Beethoven: Symphony No. 6 “Pastorale”

The solo piano part of the Haydn concerto will be played by Misi Boros, an amazing young talent, winner of the Hungarian classical music TV talent show “Virtuozok”
http://bmc.hu
There will be two shows, one at 4pm, one at 7:30pm on Saturday, September 12. The Hungarian Radio will do its usual live broadcast that you can listen to online.

After Milano and Budapest I am ready for Huntsville. I will lead the Huntsville Symphony Orchestra in a blockbuster program of music by Britten and Vaughan Williams. This will be my first time conducting ‘A Sea Symphony’ by RVW. You don’t want to miss the amazing voices of Tiffany Bostic-Brown, Terrance Brown and the Huntsville Community Chorus! If you are in or around Huntsville on September 18 you don’t want to miss this performance!
Happy New Season!

Mendelssohn, Bartok, Elgar, Britten, Grieg, Vaughan Williams

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Four concerts are coming up in the next two weeks.
Mendelssohn: Calm Sea and Prosperous Voyage Overture
Bartok: Piano Concerto #1 with Katherine Chi
http://www.jwentworth.com
Elgar: Enigma Variations
The first half of the concert is being played in a special stage set-up. Because of the Bartok Piano Concerto I arranged the seating as follows: piano downstage, conductor, percussion, woodwinds and brass, strings in the back (with basses in one line on a riser in the back) This configuration is definitely a challenge as far as listening goes. However I believe it is good for us musicians to step outside of our comfort zone from time to time. Before you go there and ask, I did arrange the stage this way because if the Bartok piece itself. Listen to what the strings play and how important the woodwinds and brass are and you will understand. The “calm sea part” of the Mendelssohn with the hymn-like string parts sounds awesome as well (I did not want to have the stage rearranged in the first half.)
More info at:
http://www.hso.org
Two shows of the same program are played by Hungarian Radio Symphony (MR Symphony) in two Hungarian cities: Szombathely and Szekesfehervar. On the program:
Britten: Four Sea Interludes
Grieg: Piano Concerto, Gabor Farkas-piano
Here is a YouTube link him playing Chopin
http://www.youtube.com
Vaughan Williams: London Symphony (#2)

The Grieg will be performed as part of the “Musically Speaking” series at the Hungarian Radio as well.

Lots of work and lost of fun ahead!