More Power to the Horns!

In the last few weeks I have been working on Béla Bartók’s Bluebeard’s Castle and Peter Eötvös’s Senza sangue, an opera double-bill at the Hamburg Opera in Germany. It is going to be a beautiful staging by Dmitri Tcherniakov, see a NY Times review about his work here http://nytimes.com
with four powerhouse singers in the principal roles, and the orchestra of Staatsoper Hamburg. The performances will all be in November.
I am not sure if the expression of “taking a break from sg” can be applied to my schedule. Conducting Mahler 5 does not sound like a break at all, and it sure is a great challenge for orchestra and conductor alike. Well, I am “taking a break from” opera this week and conducting a program of Mahler’s amazing symphony along with Mozart’s Magic Flute Overture and DiLorenzo’s Phoenix Concerto with the Huntsville Symphony.
http://hso.org
The latter composition was written for the amazing French Horn player William Vermeulen, whom I had the pleasure to work with on a few occasions.
http://vermeulenmusic.com
His playing and our extended horn section for Mahler 5 will sure make this week a powerful one!

I am excited and proud that our Huntsville Symphony can present such divers and exciting program to all the music lovers in the area. At the end of September for our first Casual Classics program called “Yoga with Live Music” we played compositions by Steve Reich, Arvo Pärt and John Cage at Lowe Mill. This week we are back with great symphonic repertoire at the Von Braun Center. Come and join us!

Kodaly in The Cold

When 10 ys ago I first conducted the Calgary Philharmonic we played an unusual program: Arvo Part: If Bach Were a Beekeper, Poulenc: Gloria, Gorecki: Third Symphony. I remember all of it. It is interesting to me, too how much I remember of musicians, the hall, downtown restaurants and many more things. A brief interruption aside (got rerouted by Delta which enabled me to get here on time but left my luggage in Minneapolis) I had a nice trip from Huntsville, AL. First time ever I used the on board internet service and got a lot of work done (mostly planning next season and working on programming, answering interview questions via email and other fun stuff), so overall it was good.
This time I get to conduct an entire “Hungarian” program, including Brahms Hungarian Dances, Liszt Rhapsody #2 and Totentanz, Weber: Introduction and Hungarian Rondo (Yes, I have two soloists for this concert, one on the piano, one on the bassoon), Kodaly Galanta Dances and Dohnanyi Symphonic Minutes. Great orchestra, fun program and we are expecting a good size audience.
But here is the thing with Canadian orchestras… For some reason Toronto Symphony, Montreal Opera, the orchestras of Edmonton, Winnipeg and Kitchener Waterloo almost always invite me in the beginning, middle or the end of the coldest Canadian winter. Not complaining, just saying! ☺

See the website of the Calgary Philharmonic here with details about the upcoming concerts:
http://www.cpo-live.com

PS: OK, just to be fair, the sun came out this morning, the weather is sunny and fresh, Weatherman says the temperature will rise as high as 9 Degrees Celsius by tomorrow