Banjo And Paradise

Happy New Year Everyone! I am looking forward to an extremely busy January. My year starts with a historical concert. The “Bela Fleck Banjo Concerto” show with the Huntsville Symphony marks the highest ever single ticket sales for a classical series concert in the history of the orchestra. We are 80 some tickets short of a sell out (we’ve got one more day to go) and we are expecting a great crowd for the Saturday morning open dress rehearsal. On the program (all kind of “folk music-inspired” pieces)
Zoltan Kodaly: Variations on a Hungarian Folk Song (“The Peacock”)
Aaron Copland: El Salon Mexico
Bela Fleck: The Impostor (Concerto for Banjo and Orchestra)

Go to Bela’s website to see and hear some of the concerto (recorded with the Nashville Symphony)
http://www.belafleck.com

I am sure the audience is going to stick around for some more of Bela’s solo banjo playing at the end of the concert! Well, yes, and I am glad that the same audience is going to have the chance to listen to Kodaly and Copland.

Right after the concert I am leaving for Budapest, Hungary to dive into an exciting new opera-project. Peter Eotvos (I wrote about him and his 70th Birthday earlier) wrote an opera called Paradise Reloaded (Lilith) which was premiered in Vienna, Austria in October 2013. With the cooperation of MTVA (the mother company of the Hungarian Radio Symphony) and The Palace of The Arts (MUPA) in Budapest we are presenting the Hungarian premiere of the opera as part of the so called “Mini Festival” on January 23. Before the staged performance I get to be the conductor of the first ever studio recording of the opera (sung in German). The story is about Lilith, first wife of Adam (yes, an apocryphal story from biblical times) and the Journey of Adam, Eve with the help of Lucifer. More info here:
http://www.eotvospeter.com