Dumb Art On Oaks

First of all, let me apologize for the title of this post.
1) The more I post the more I recognize the difficulty of finding a title that draws attention and will make people read my blog entry. The more I post the more I understand the pressure on online journalists and the direction online media is going. Do I like it? Not really, but I do understand the inevitability of things going the “tabloid way”. You really don’t want to end up like “white noise”.
2) I could not resist. 🙂
3) Please, do google ‘Dumb Art’ and look at the pictures. There are awesome, great pictures there. You are going to be surprised how many amazing works of great artists you will find this way, let alone all the really great street art.

OK, now that this is out of the way, I just have to say there is nothing ‘dumb art like’ about the program I am doing with pianist Lilya Zilberstein http://lilyazilberstein.webs.com/
and the Columbus Symphony this weekend. CSO website calls this Masterworks program a “Concerto Festival” http://columbussymphony.com/
and indeed three out of the four pieces are concertos (and very different ones)

Beethoven: Leonore Overture #3
http://en.wikipedia.org/wiki/Leonore_Overture_No._3
Bach: Concerto for Piano and Strings in D major
http://en.wikipedia.org/wiki/Harpsichord_concertos_(J._S._Bach)
Stravinsky: Concerto in Eb “Dumbarton Oaks”
http://en.wikipedia.org/wiki/Concerto_in_E-flat_%22Dumbarton_Oaks%22
Shostakovich: Piano Concerto #1
http://en.wikipedia.org/wiki/Piano_Concerto_No._1_(Shostakovich)

There are two other elements that make this program exciting for me.

1) “Time Travel”
OK, so you can say that every classical concert is like taking a trip back in time, and you’d be right about that. However having one of the most famous neo-classical pieces on the program (Stravinsky’s Dumbarton Oaks) is a true artistic time travel. This piece is like a 20th Century Brandenburg Concerto. Also I dare to say, that Shostakovich Piano Concerto #1 has many neo-classical moments in it as well. This makes the second half of the program a kind of ‘homage’ to the two composers in the first half. Then there is the fact, that we are playing a Harpsichord concerto with a modern piano as the solo instrument. J.S. Bach would have loved a Steinway if he could have possibly known one. I am afraid that the sound you’ll be hearing, as wonderful as it may be, is historically inappropriate. So there is another type of time travel for you, this time to an “alternate universe”. Bach’s music on the modern piano.
2) “The Trumpet Player’s Progress” (sorry, another Stravinsky reference)
In Beethoven’s Overture our principal trumpet player will leave the stage at a certain point then he’ll play two fanfares from back stage (he shall return to finish the first orchestral trumpet part). At the end of the concert the trumpet takes center stage as the secondary solo instrument of the Shostakovich Piano Concerto. Tom Battenberg, principal trumpet is doing an amazing job as he travels with ease between styles, genres and centuries.

The Season That Opens Twice

This is the season that opens twice. The first half of the first concert of 2013-14 starts with Brahms: Academic Festival Overture. The second half of the first concert of 2013-14 starts with Brahms: Tragic Overture. Having the longest continuously operating symphony orchestra in the state of Alabama alone calls for celebration. I also think that number 59 is just as nice a number as 60 (yes, we are already getting ready for a great season of celebration!). The concert will end with the mind-blowing piece of Leos Janacek entitled Sinfonietta. 9 extra trumpets (12 all together) and some other additional brass instruments are joining the HSO to finish the concert with a big bang. In the first half the great Robert McDuffie is joining the forces of the string section along with harp and percussion to play Bernstein’s Serenade. It is a real treat an tons of fun to make chamber music with Robert.
Check out his website here:
http://www.robertmcduffie.com

Brahms, Bernstein, Brahms, Janacek
Check out Huntsville Symphony website here:
http://www.hso.org
Listen to WLRH Radio tomorrow (Friday) morning for a pre-recorded interview with Ginney Kennedy about this concert and the upcoming season.
Let “The Season of Personalities” begin!

Mendelssohn, Bartok, Elgar, Britten, Grieg, Vaughan Williams

Four concerts are coming up in the next two weeks.
Mendelssohn: Calm Sea and Prosperous Voyage Overture
Bartok: Piano Concerto #1 with Katherine Chi
http://www.jwentworth.com
Elgar: Enigma Variations
The first half of the concert is being played in a special stage set-up. Because of the Bartok Piano Concerto I arranged the seating as follows: piano downstage, conductor, percussion, woodwinds and brass, strings in the back (with basses in one line on a riser in the back) This configuration is definitely a challenge as far as listening goes. However I believe it is good for us musicians to step outside of our comfort zone from time to time. Before you go there and ask, I did arrange the stage this way because if the Bartok piece itself. Listen to what the strings play and how important the woodwinds and brass are and you will understand. The “calm sea part” of the Mendelssohn with the hymn-like string parts sounds awesome as well (I did not want to have the stage rearranged in the first half.)
More info at:
http://www.hso.org
Two shows of the same program are played by Hungarian Radio Symphony (MR Symphony) in two Hungarian cities: Szombathely and Szekesfehervar. On the program:
Britten: Four Sea Interludes
Grieg: Piano Concerto, Gabor Farkas-piano
Here is a YouTube link him playing Chopin
http://www.youtube.com
Vaughan Williams: London Symphony (#2)

The Grieg will be performed as part of the “Musically Speaking” series at the Hungarian Radio as well.

Lots of work and lost of fun ahead!